From page 1, I did not get along well with Parallel Heart. The prose contained glaring grammatical errors and the voice just seemed off. It felt stilted and dense — as though it was trying too hard to be witty, descriptive and aloof. I would know. I wrote similarly (although in a more child-like tone) several years ago, toying around with big words and awkward sentence structure. Writing needs to flow, and when it flows well enough, it will make the reader comfortable enough to stay for about 50,000 words in the novel’s world.
Parallel Heart could not make me stay. It had a potentially very interesting premise — an unhappily married man longs to escape into a parallel world with a lover who may or may not be real. I thought, “This is interesting,” in my head when I read that the novel is based on the author’s love of quantum mechanics and explores the concept of parallel dimensions and blurred realities. All of this sounded new, fresh and different.
But I just couldn’t get into it. I tried very hard…the voice (as well as plot, characters and developed) just came off as stale. I’m sure Parallel Heart, given a liberal editor, time and a different direction, could’ve been something real special. But it just wasn’t for me… Again, all this is my own opinion. Perhaps you will think differently!
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